Modern life


John Baldessari

Noget at skjule? (2)

Noget at skjule? (1)

Berenice Abbott

Court of the First Model Tenements in New York City (ca. 1935-39).

“Their houses,” said Berenice Abbott, “tell much more about a people than their noses” (LIFE, 1938).

Jeu de Paume, Paris.


Museo del Prado


Jusepe de Ribera: The Bearded Woman (1631)


Francisco de Goya: Saturn devouring his son (1819-23)


Francisco de Goya: Dog half-submerged (1819-23)

Sæder og skikke

Feet on the Seat

eller Macho i kollektivtrafiken?

David Shrigley


Tom Kietz

Untitled (2009)

Mark Bradford

A Thursday on Upper Manhattan

Wallpainting of a Camel (Spanien, måske 1129-34). The Cloisters, New York.

The Unicorn in Captivity (Holland, ca. 1495-1505). The Cloisters, New York.

Diego Velázquez: Cardinal Pamphili (1650). The Hispanic Society of America, New York.

Lynette Yiadom-Boakye

Lynette Yiadom-Boakye: Any Number of Preoccupations (2010), The Studio Museum in Harlem, New York.

Mark Bradford: Alphabet (2010). Studio Museum in Harlem, New York.

Tanea Richardson: He’s Actually Very Intelligent (2007). Studio Museum in Harlem, New York.

The School of Objects Criticized

Alexandre Singh: The School of Objects Criticized (2010)

Free, New Museum, New York


Fia-Stina Sandlund: One More Monument (2007)

Juan Pérez Agirregoikoa: Reject Series (2007)

!? – En utställning om politisk retorik och dubbla budskap, Signal, Malmö, 29/10-12/12.

“We are now a step closer to the rest of Europe.” (Galleri Signal)

Lens flare

(Henriette Heise på Overgaden fra 12. november)

Dark Time

“And then those questions come up.
Like was the Constitution written in invisible ink?
Has everybody here forgotten how to think?
Is this big boat starting to think?

And you thought there were things that had disappeared forever.
Things from the Middle Ages.
Beheadings and hangings and people in cages.
And suddenly they were everywhere
And suddenly they’re alright”

(Laurie Anderson: Dark Time in the Revolution)

Max Hattler: Your Highness

“I don’t want to be negative, but I always find the whole thing rather strange. Soccer is one thing, but the World Cup is something else because it takes on even more of a mass dynamic. During the World Cup period in 2006, when Germany was the host country, I returned to Germany from England and was stunned to see everyone waving their German flags and all the newspapers reporting how great it was that Germans could now finally show their national pride again. This time around, it has become even worse – police cars sporting German flags, etc. I find it rather unpleasant.”

Max Hattler i Deutsche Welle

Laurie Anderson: The Crash

Laurie Anderson: Homeland

Blu: Big Bang Big Boom

(via rebel:art)

Breda Beban


Skærmbillede 2010-07-04 kl. 20.19.47

Breda Beban: My Funeral Song (Camden Arts Centre)

Jim Hodges


Jim Hodges: Slower Than This, 2001 (Camden Arts Centre)

Francis Alÿs: A Story of Deception


Ambulantes I and II Mexico City 1992-


Rehearsel I (El Ensayo) Tijuana, 1999-2001

Francis Alÿs: A Story of Deception (Tate Modern)

Francis Alÿs

Whose map is it?


Emma Wolukau-Wanambwa: A continuing survey of syntactic parsing (detail) 2010


Alexandra Handal: Labyrinth of Remains and Migration (detail) 2000-01, 2010


Gayle Chong Kwan: Save the Last Dance for Me (detail), 2010


Esther Polak: NomadicMILK, 2008

Whose map is it? new mappings by artists (iniva, Rivington Place)


Emilia Kabakov: The Toilet in the Corner (2002)

Jan Svankmajer: Jabberwocky (1971)

The Surreal House (Barbican Centre)



Jonathan Olley: Golf Five Zero watchtower (known to the British Army as ‘Borucki Sanger’), Crossmaglen Security Force Base, South Armagh 1999


Weegee (Arthur Fellig): Their First Murder October 9, 1941

Tate Modern: Exposed – Voyeurism, Surveillance & the Camera

Newspeak: British art now


Karla Black: Nothing is a must


Eugenie Scrase: Truncated trunk

Newspeak: British art now (Saatchi Gallery)

Tacita Dean: Craneway Event



Tacita Dean: Craneway Event (Frith Street Gallery)

“I filmed for four days—the first day it was raining and Merce just looked at the space. The next three days, the dancers came. There were pelicans everywhere, and the craneway was surrounded by glass. It was stunning light.”

Tacita Dean in Artforum

Must – The Inside Story


Peggy Shaw, Soho Theatre (Review)



Hjælp Greenpeace med at rebrande BP. Se alle indsendte bidrag hidtil her.

Bruce Davidson: Subway



Bruce Davidson: Subway (1980). Tate Modern.

Flere billeder: Catherine Edelman Gallery og Magnum.

Angela de la Cruz: After



Angela de la Cruz: After, Camden Arts Centre.

“[The chair] was actually flattened by being sat on by a great woman, when I was in one of the hospitals I stayed in for a long time. It became completely useless and irreparable – bin material. I suffered a very serious stroke in 2005, from which I am still recovering, and seeing that was probably the first time that I had laughed since it happened”.

(Angela de la Cruz om værket “Flat” i Time Out London)

Anmeldelse og billeder: Guardian, flere værker: Lisson Gallery.

Laurie Anderson: Delusion





Laurie Anderson: Delusion (Barbican Centre)

All Days Are Nights



Douglas Gordon har fotograferet til omslaget på Rufus Wainwrights nye cd, All Days Are Nights: Songs for Lulu, og lavet visuals til hans næste turné.

Rufus Wainwright: Zebulon

Kontakthof (Pina Bausch)

Tanztheater Wuppertal Pina Bausch: Kontakthof (Barbican Centre)

Michelangelo’s Dream


Michelangelo Buonarroti, The Punishment of Tityus (1532).


Michelangelo Buonarroti, sonet (ca. 1534).

Michelangelo’s Dream. The Courtauld Gallery.


Rufus Wainwright: Prima Donna (dokumentar)

Project for a new novel



JG Ballard: Project for a new novel (1958)

Rick McGrath: JG Ballard’s Graphic Experiments

Mike Bonsall: J.G. Ballard’s Experiment in Chemical Living

Crash – Homage to JG Ballard, Gagosian Gallery

Philip Glass: Satyagraha

Xavier Dolan: I Killed My Mother (J’ai tué ma mère)

24th BFI London Lesbian & Gay Film Festival

Life-long companions

NPG 5136, Sir Peter Neville Luard Pears; (Edward) Benjamin Britten, Baron Britten

Benjamin Britten og Peter Pears malet af Kenneth Green (1943). National Portrait Gallery.

Treatment Room


Richard Hamilton: Treatment Room (1983-84). Modern Moral Matters, Serpentine Gallery.

Split Britches: The Lost Lounge


(Split Britches: The Lost Lounge, Queen Mary University, marts 2010)

“I walked down the Bowery and turned right on Bond Street the other day, and for a minute I thought, Oh my God, I don’t know where I am! I just didn’t recognize it. And so one of the themes that we’re working on is how memory is tied up with landscape, and what happens when you lose your landscape—how identity is tied into place and how it feels like we’re losing part of our identity by losing those places.”

Lois Weaver

The XX: Crystalised

Sharon Lockhardt: Goshogaoka


Sharon Lockhardt: Goshogaoka (Whitechapel Gallery), filmstill


Sharon Lockhardt: Goshogaoka Girls Basketball Team (1997), fotografier

Candice Breitz: Factum

Skærmbillede 2010-05-09 kl. 18.09.22

Candice Breitz: Factum, White Cube, februar-marts 2010

Længere uddrag fra alle videoerne på (Work > Video > Factum)

Deutsche Börse Photography Prize 2010


Zoe Leonard, Century Photo Centre, 200/2006 from the Analogue Portfolio, 1998-2009


Donovan Wylie, Deconstruction of the Maze prison. Northern Ireland. 2009

Deutsche Börse Photography Prize 2010, The Photographer’s Gallery

Claude Cahun: Keepsake

Claude Cahun, 'Keepsake'

Identity: Eight rooms, nine lives. Welcome Collection